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Ethics (Wordsworth Classics of World Literature)
Ethics by Benedict de Spinoza demonstrated in Geometrical Order shows us the reality behind this enigmatic figure. First published by his friends after his premature death at the age of forty-four, the Ethics uses the methods of Euclid to describe a single entity, properly called both 'God' and 'Nature', of which mind and matter are two manifestations. From this follow, in ways that are strikingly modern, the identity of mind and body, the necessary causation of events and actions, and the illusory nature of free will.
The Last Man (Wordsworth Classics)
The Last Man by Mary Wollstonecraft Shelley. With an Introduction and Notes by Dr Pamela Bickley, The Godolphin and Latymer School, formerly of Royal Holloway, University of London The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature. Mary Wollstonecraft Shelley (1797-1851) was the only daughter of Mary Wollstonecraft, author of Vindication of the Rights of Woman, and the radical philosopher William Godwin. Her mother died ten days after her birth and the young child was educated through contact with her father's intellectual circle and her own reading. She met Percy Bysshe Shelley in 1812: they eloped in July 1814. In the summer of 1816 she began her first and most famous novel, Frankenstein. Three of her children died in early infancy and in 1822 her husband was drowned. Mary returned to England with her surviving son and wrote novels, short stories and accounts of her travels: she was the first editor of P.B.Shelley's poetry and verse.
Frankenstein (Wordsworth Collector’s Editions)
Frankenstein by Mary Shelley is the classic gothic horror novel which has thrilled and engrossed readers for two centuries. Written by Mary Shelley, it is a story which she intended would 'curdle the blood and quicken the beatings of the heart.' The tale is a superb blend of science fiction, mystery and thriller. Victor Frankenstein driven by the mad dream of creating his own creature, experiments with alchemy and science to build a monster stitched together from dead remains. Once the creature becomes a living breathing articulate entity, it turns on its maker and the novel darkens into tragedy. The reader is very quickly swept along by the force of the elegant prose, the grotesque, surreal imagery, and the multi-layered themes in the novel. Although first published in 1818, Shelley's masterpiece still maintains a strong grip on the imagination and has been the inspiration for numerous horror movies, television and stage adaptations.
Twelfth Night
Edited, Introduced and Annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex.The Wordsworth Classics' Shakespeare's Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal.Variously melancholy, lyrical, joyous and farcical, Twelfth Night has long been a popular comedy with Shakespearian audiences. The main plot revolves around mistaken identities and unrequited love. Both Olivia and Orsino are attracted to Viola, who is disguised as a young man: and Viola's brother, Sebastian, finds that he is loved not only by Antonio but also by Olivia.Meanwhile, in the comic sub-plot, Sir Toby Belch and his companions outwit the vain Malvolio, who is ludicrously humiliated. While offering broad comedy, Twelfth Night teasingly probes gender-roles and sexual ambiguities.
Romeo and Juliet (Wordsworth Collector’s Editions)
Romeo and Juliet by William ShakespeareRomeo and Juliet is the world's most famous drama of tragic young love. Defying the feud which divides their families, Romeo and Juliet enjoy the fleeting rapture of courtship, marriage and sexual fulfilment: but a combination of old animosities and new coincidences brings them to suicidal deaths.This play offers a rich mixture of romantic lyricism, bawdy comedy, intimate harmony and sudden violence. Long successful in the theatre, it has also generated numerous operas, ballets and films: and these have helped to make Romeo and Juliet perennially topical. The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal.
A Midsummer Night’s Dream (Wordsworth Classics)
A Midsummer Nights Dream is one of the most popular of Shakespeare's works. The supernatural and the mundane, the illusory and the substantial, are all shimmeringly blended. Love is treated as tragic, poignant, absurd and farcical. 'Lord, what fools these mortals be!', jeers Robin Goodfellow: but the joke may be on him and on his master Oberon when Bottom the weaver, his head transformed into that of an ass, is embraced by the voluptuously amorous Titania.Edited, Introduced and Annotated by Cedric Watts, Professor of English Literature, University of Sussex.
Measure for Measure
Edited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex In the hope of saving her brother's life, should a woman submit to rape? Should the law be respected when its administrator is corrupt? How powerful in the state should religion become? Although Measure for Measure ends like a comedy, with reconciliations, forgiveness and marriages, it has often been regarded as one of Shakespeare's problem plays. The drama shows the difficulty of effecting an appropriate balance between judicial severity and mercy, between sexual repression and decadence, and between political vigilance and social manipulation. These problems remain topical, and, in Measure for Measure, they are given immediacy by vivid character-conflicts and memorably intense poetry. This is one of Shakespeare's most probing and powerful works.
Macbeth (Wordsworth Classics)
Macbeth by William Shakespeare with an Introduction and Notes by Cedric Watts, Professor of English Literature, University of Sussex Macbeth is one of Shakespeare's four great tragedies, encompassing witchcraft, bloody murder, ghostly apparitions as well as high poetry, blended in such a way as to demonstrate the assured dramatic touch of Shakespeare's maturity. Macbeth's tragedy is that of a good, brave and honourable man turned into the personification of evil by the workings of unreasonable ambition. It was a lesson lost on King James I & VI, for whom the play was written.
Hamlet
Hamlet by William Shakespeare edited, Introduced and Annotated by Cedric Watts, Professor of English Literature, University of Sussex. Hamlet is not only one of Shakespeare's greatest plays, but also the most fascinatingly problematical tragedy in world literature. First performed around 1600, this a gripping and exuberant drama of revenge, rich in contrasts and conflicts. Its violence alternates with introspection, its melancholy with humour, and its subtlety with spectacle. The Prince, Hamlet himself, is depicted as a complex, divided, introspective character. His reflections on death, morality and the very status of human beings make him 'the first modern man'.
Tales of Mystery & Imagination (Tales of Mystery & the Supernatural)
Tales of Mystery & Imagination by Edgar Allan Poe. With an Introduction by John S. Whitley, University of Sussex This collection of Poe s best stories contains all the terrifying and bewildering tales that characterize his work. As well as the Gothic horror of such famous stories as The Pit and the Pendulum, The Fall of the House of Usher, The Premature Burial and The Tell-Tale Heart, all of Poe s Auguste Dupin stories are included. These are the first modern detective stories and include The Murders in the Rue Morgue, The Mystery of Marie Roget and The Purloined Letter.
Symposium and The Death of Socrates (Classics of World Literature)
With an Introduction by Jane O'Grady. Translated by Tom Griffith.In Symposium, a group of Athenian aristocrats attend a party and talk about love, until the drunken Alcibiades bursts in and decides to discuss Socrates instead. Symposium gives an unsurpassed picture of the sparkling society that was Athens at the height of her empire.The setting of the other dialogues is more sombre. Socrates is put on trial for impiety, and sentenced to death. Euthyphro discusses the nature of piety, Apology is Socrates' speech in his own defence, Crito explains his refusal to escape punishment, and Phaedo gives an account of Socrates' last day.These dialogues have never been offered in one volume before. Tom Griffith's Symposium has been described as 'possibly the finest translation of any Platonic dialogue'. All the other translations are new.
the_republic
Translated by John Llewelyn Davies and David James Vaughan. With an Introduction by Stephen Watt.The ideas of Plato (c429-347BC) have influenced Western philosophers for over two thousand years. Such is his importance that the twentieth-century philosopher A.N. Whitehead described all subsequent developments within the subject as foot-notes to Plato's work. Beyond philosophy, he has exerted a major influence on the development of Western literature, politics and theology.The Republic deals with the great range of Plato's thought, but is particularly concerned with what makes a well-balanced society and individual. It combines argument and myth to advocate a life organized by reason rather than dominated by desires and appetites. Regarded by some as the foundation document of totalitarianism, by others as a call to develop the full potential of humanity, the Republic remains a challenging and intensely exciting work.