When the renowned aviation hero and rabid isolationist Charles A. Lindbergh defeated Franklin Roosevelt by a landslide in the 1940 presidential election, fear invaded every Jewish household in America. Lindbergh had publicly blamed the Jews for pushing America towards a pointless war with Nazi Germany. Then, upon taking office as the 33rd president of the United States, he also negotiated a cordial 'understanding' with Adolf Hitler. What followed in America is the historical setting for this startling new novel by Pulitzer-prize winner Philip Roth, who recounts what it was like for his Newark family during the menacing years of the Lindbergh presidency, when American citizens who happened to be Jews had every reason to expect the worst. Praise for "The Plot Against America": ""The Plot Against America" is an epic, built - painstakingly, passionately, near perfectly - of the small structures of the particular. A dark, humane masterpiece. Roth is at the peak of his powers" - "The Times". "The word genius doesn't seem excessive - utterly plausible. "The Plot Against America" creates its reality magisterially, in long, fluid sentences that carry you beyond scepticism" - "The Guardian". "Magnificent. Roth is writing the best books of his life. He captures better than anyone the collision of public and private, the intrusion of history into the skin, the pores of every individual alive" - "The Guardian".

The decline of religion and ever increasing influence of science pose acute ethical issues for us all. Can we reject the literal truth of the Gospels yet still retain a Christian morality? Can we defend any 'moral values' against the constant encroachments of technology? Indeed, are we in danger of losing most of the qualities which make us truly human? Here, drawing on a novelist's insight into art, literature and abnormal psychology, Iris Murdoch conducts an ongoing debate with major writers, thinkers and theologians—from Augustine to Wittgenstein, Shakespeare to Sartre, Plato to Derrida—to provide fresh and compelling answers to these crucial questions. From Publishers Weekly British novelist-philosopher Murdoch's treatise on contemporary morality spans such topics as Shakespearean tragedy, Martin Buber's philosophy and the nature of the imagination. Copyright 1994 Reed Business Information, Inc. From Library Journal This book is about the interplay of metaphysical images in art, religon, and especially morals. Morality is fundamental to human nature and is to be understood, according to distinguished novelist and philosophy professor Murdoch, not merely in piecemeal analysis but in the broad synthesis of metaphysical categories that set the order and pattern of our moral experience and our concepts thereof. Moral discernment comes from concentrated attention and appears ex nihilo , as by a kind of grace that leads us from contingent detail toward a perfection that we (allegedly) know intuitively. The work draws significant influence from Plato and Kant and also discusses aspects of Schopenhauer, Wittgenstein, and Buber in detail. Far-ranging and rich with well-chosen examples, this insightful book challenges us to think more clearly about its subject.- Robert Hoffman, York Coll., CUNYCopyright 1993 Reed Business Information, Inc. Review "Iris Murdoch has written a book which concerns all of us as human beings … There are pages here that one wants to embrace her for, pages that say things of fundamental human importance in a way that they have never quite been said before" —Noel Malcolm in the Sunday Telegraph"This is philosophy dragged from the cloister, dusted down and made freshly relevant to suffering and egoism, death and religious ecstasy … and how we feel compasison for others" —Terry Eagleton in the Guardian"Gripping … it enchants with a clause that sets you daydreaming, captivates with a stream of thought, empowers with reminiscences" —Ian Hacking in the London Review of Books"Anyone who has even the slightest interest in philosophical matters will find Metaphysics as a Guide to Morals an utterly absorbing book" —The Wall Street Journal"Remarkable … Iris Murdoch has once again put us all in her debt." —Alasdair MacIntyre in The New York Times Book Review About the Author Iris Murdoch (1919–1999) was born in Dublin and brought up in London. She studied philosophy at Cambridge and was a philosophy fellow at St. Anne's College for 20 years. She published her first novel in 1954 and was instantly recognized as a major talent. She went on to publish more than 26 novels, as well as works of philosophy, plays, and poetry.

When the eminent naturalist Charles Darwin returned from South America on board the HMS Beagle in 1836, he brought with him the notes and evidence which would form the basis of his landmark theory of evolution of species by a process of natural selection. This theory, published as The Origin of Species in 1859, sparked a fierce scientific, religious, and philosophical debate which continues heatedly today. This seminal work is presented with The Voyage of the Beagle, a vivid travel memoir as well as a detailed scientific field journal. Ordered by place, covering area from Northern Chile to Australia to Cape Verde Islands, this text contains hints of the theories that were later developed in The Origin of Species.

The acclaimed and controversial historian turns his critical gaze on the writing of history todayOn its publication in 2009, Shlomo Sand’s book The Invention of the Jewish People met with a storm of controversy. His demystifying approach to nationalist and Zionist historiography provoked much criticism from other professional historians, as well as praise. The furore gave him a privileged position to consider his academic discipline, which he reflects on here in Twilight of History.Drawing on four decades in the field, Sand takes a wider view and interrogates the study of history, whose origin lay in the need for a national ideology. Over the last few decades, traditional history has begun to fragment, yet only to give rise to a new role for historians as priests of official memory. Working in Israel has sharpened Sand’s perspective, since the role of history as national myth is particularly salient in a country where the Bible is treated as a source of historical fact. He asks such questions as: Is every historical narrative ideologically marked? Do political requirements and state power weigh down inordinately on historical research and teaching? And, in such conditions, can there be a morally neutral and “scientific” truth?Despite his trenchant criticism of academic history, Sand would still like to believe that the past can be understood without myth, and finds reasons for hope in the work of Max Weber and Georges Sorel.

A scathing argument against those who exploit the Holocaust to shield Israel from criticism—by a major figure at the center of the Israel-Palestine debate“The most controversial book of the year.” —GuardianIn his iconoclastic and controversial study, Norman G. Finkelstein moves from an interrogation of the place the Holocaust has come to occupy in global culture to a disturbing examination of Holocaust compensation settlements. It was not until the Arab–Israeli War of 1967, when Israel’s evident strength brought it into line with US foreign policy, that memory of the Holocaust began to acquire the exceptional prominence it has today. Leaders of America’s Jewish community were delighted Israel was deemed a major strategic asset and, Finkelstein contends, exploited the Holocaust to enhance this new-found status.Recalling Holocaust fraudsters, Finkelstein contends the main danger posed to the memory of Nazism’s victims comes not from the distortions of deniers—but from prominent ‘guardians’ of Holocaust memory, who deploy it as a shield against any criticism. He exposes the double shakedown of European countries as well as legitimate Jewish claimants, concluding the Holocaust industry has become an outright extortion racket.Thoroughly researched and closely argued, The Holocaust Industry is all the more disturbing and powerful because the issues it addresses are so rarely discussed.

The Age of the Poets revisits the age-old problem of the relation between literature and philosophy, arguing against both Plato and Heidegger’s famous arguments. Philosophy neither has to ban the poets from the republic nor abdicate its own powers to the sole benefit of poetry or art. Instead, it must declare the end of what Badiou names the “age of the poets,” which stretches from Hölderlin to Celan. Drawing on ideas from his first publication on the subject, “The Autonomy of the Aesthetic Process,” Badiou offers an illuminating set of readings of contemporary French prose writers, giving us fascinating insights into the theory of the novel while also accounting for the specific position of literature between science and ideology.