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The Ultimate Children’s Classic Collection (Wordsworth Box Sets)
The Ultimate Children's Classic Collection. The perfect gift for any book-lover, this box set contains eight of the best children's classics ever written Beautifully packaged in a ridged, matt-laminated slipcase with metallic detailing, complete with strikingly attractive, bespoke artwork, this would make an ideal Christmas present Includes:Alice in Wonderland 9781853261183The Wind in the Willows 9781853261220Treasure Island 9781853261039Black Beauty 9781853261091The Jungle Book 9781853261190The Secret Garden 9781853261046Peter Pan 9781853261206
Tao Te Ching (Wordsworth Classics of World Literature)
Tao Te Ching by Lao Tzu is the first great classic of the Chinese school of philosophy called Taoism. Within its pages is summed up a complete view of the cosmos and how human beings should respond to it. A profound mystical insight into the nature of things forms the basis for a humane morality and vision of political utopia. The ideas in this work constitute one of the main shaping forces behind Chinese spirituality, art and science, so much so that no understanding of Chinese civilisation is possible without a grasp of Taoism. This edition presents the authoritative translation by Arthur Waley, with a new Introduction reflecting recent developments in the interpretation of the work.
The Innocents Abroad (Wordsworth Classics)
The Innocents Abroad by Mark Twain. With an Introduction by Stuart Hutchinson. Who could read the programme for the excursion without longing to make one of the party? So Mark Twain acclaims his voyage from New York City to Europe and the Holy Land in June 1867. His adventures produced The Innocents Abroad, a book so funny and provocative it made him an international star for the rest of his life. He was making his first responses to the Old World - to Paris, Milan, Florence, Venice, Pompeii, Constantinople, Sebastopol, Balaklava, Damascus, Jerusalem, Nazareth, and Bethlehem. For the first time he was seeing the great paintings and sculptures of the Old Masters . He responded with wonder and amazement, but also with exasperation, irritation, disbelief. Above all he displayed the great energy of his humour, more explosive for us now than for his beguiled contemporaries.
Fathers and Sons (Wordsworth Classics)
Fathers and Sons by Ivan Sergeevich Turgenev. Fathers and Sons is one of the greatest nineteenth century Russian novels, and has long been acclaimed as Turgenev's finest work. It is a political novel set in a domestic context, with a universal theme, the generational divide between fathers and sons. Set in 1859 at the moment when the Russian autocratic state began to move hesitantly towards social and political reform, the novel explores the conflict between the liberal-minded fathers of Russian reformist sympathies and their free-thinking intellectual sons whose revolutionary ideology threatened the stability of the state. At its centre is Evgeny Bazorov, a strong-willed antagonist of all forms of social orthodoxy who proclaims himself a nihilist and believes in the need to overthrow all the institutions of the state. As the novel develops Bazarov's political ambitions become fatally meshed with emotional and private concerns, and his end is a tragic failure. The novel caused a bitter furore on its publication in 1862, and this, a year later, drove Turgenev from Russia.
Way We Live Now
The Way We Live Now by Anthony Trollope. The tough-mindedness of the social satire in and its air of palpable integrity gives this novel a special place in Anthony Trollope's Literary career. Trollope paints a picture as panoramic as his title promises, of the life of 1870s London, the loves of those drawn to and through the city, and the career of Augustus Melmotte. Melmotte is one of the Victorian novel's greatest and strangest creations, and is an achievement undimmed by the passage of time. Trollope's 'Now' might, in the twenty-first century, look like some distant disenchanted 'Then', but this is still the yesterday which we must understand in order to make proper sense of our today.
war_and_peace
War and Peace by Leo Tolstoy. War and Peace is a vast epic centered on Napoleons war with Russia. While it expresses Tolstoy's view that history is an inexorable process which man cannot influence, he peoples his great novel with a cast of over five hundred characters. Three of these, the artless and delightful Natasha Rostov, the world-weary Prince Andrew Bolkonsky and the idealistic Pierre Bezukhov illustrate Tolstoy's philosophy in this novel of unquestioned mastery. This translation is the one which received Tolstoys approval.
Resurrection (Wordsworth Classics)
Resurrection by Leo Tolstoy This powerful novel, Tolstoy's third major masterpiece, after War and Peace and Anna Karenina, begins with a courtroom drama (the finest in Russian literature) all the more stunning for being based on a real-life event. Dmitri Nekhlyudov, called to jury service, is astonished to see in the dock, charged with murder, a young woman whom he once seduced, propelling her into prostitution. She is found guilty on a technicality, and he determines to overturn the verdict. This pitches him into a hellish labyrinth of Russian courts, prisons and bureaucracy, in which the author loses no opportunity for satire and bitter criticism of a state system (not confined to that country) of cruelty and injustice. This is Dickens for grown-ups, involving a hundred characters, Crime and Punishment brought forward half a century. With unforgettable set-pieces of sexual passion, conflict and social injustice, Resurrection proceeds from brothel to court-room, stinking cells to offices of state, luxury apartments to filthy life in Siberia. The ultimate crisis of moral responsibility embroils not only the famous author and his hero, but also you and me. Can we help resolve the eternal issues of law and imprisonment?
Anna Karenina (Wordsworth Classics)
Anna Karenina by Leo Tolstoy. Anna Karenina is one of the most loved and memorable heroines of literature. Her overwhelming charm dominates a novel of unparalleled richness and density. Tolstoy considered this book to be his first real attempt at a novel form, and it addresses the very nature of society at all levels,- of destiny, death, human relationships and the irreconcilable contradictions of existence. It ends tragically, and there is much that evokes despair, yet set beside this is an abounding joy in life's many ephemeral pleasures, and a profusion of comic relief.
Gulliver’s Travels
Gulliver's Travels by Jonathan SwiftJonathan Swift's classic satirical narrative was first published in 1726, seven years after Defoe's Robinson Crusoe (one of its few rivals in fame and breadth of appeal). As a parody travel-memoir it reports on extraordinary lands and societies, whose names have entered the English language: notably the minute inhabitants of Lilliput, the giants of Brobdingnag, and the Yahoos in Houyhnhnmland, where talking horses are the dominant species. It spares no vested interest from its irreverent wit, and its attack on political and financial corruption, as well as abuses in science, continue to resonate in our own times.
Uncle Tom’s Cabin (Wordsworth Classics)
Editedand with an Introduction and Notes by Dr Keith Carabine. University of Kent at Canterbury.Uncle Tom's Cabin is the most popular, influential and controversial book written by an American. Stowe's rich, panoramic novel passionately dramatises why the whole of America is implicated in and responsible for the sin of slavery, and resoundingly concludes that only 'repentance, justice and mercy' will prevent the onset of 'the wrath of Almighty God!'.The novel gave such a terrific impetus to the crusade for the abolition of slavery that President Lincoln half-jokingly greeted Stowe as'the little lady' who started the great Civil War. As Keith Carabine argues in his lively and provocative Introduction, the novel immediately provoked a storm of competing and contradictory responses among Northern and Southern readers, moderate and radical abolitionist groups, blacks and women, with regard to issues of form, genre, politics, religion, race and gender, that are still of great interest because they anticipate the concerns that vex and divide modern readers and critical constituencies.
India: Land of Celebration
Dracula and Dracula's Guest & Other Stories Edited and Introduced by David Stuart DaviesThe above is followed with a rich collection of Stoker's macabre tales including Dracula's Guest (which was omitted from the final version of Dracula): a devilishly dangerous haunted room in 'The Judge's House': a fatalistic tragedy in 'The Burial of the Rats': a terror of revenge from beyond the grave in 'The Secret of Growing Gold', and a surprising twist in the tail in 'The Gypsy's Prophecy'. Other strange and frightening episodes provide a feast of terror for those readers who like to be unnerved as well as entertained.DraculaIntroduction and Notes by Dr David Rogers, Kingston University'There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath: the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood: he lay like a filthy leech, exhausted with his repletion.' Thus Bram Stoker, one of the greatest exponents of the supernatural narrative, describes the demonic subject of his chilling masterpiece Dracula a truly iconic and unsettling tale of vampirism.
Dracula (Wordsworth Collector’s Editions)
Dracula by Bram Stoker'There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath: the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood: he lay like a filthy leech, exhausted with his repletion.'Thus Bram Stoker, one of the greatest exponents of the supernatural narrative, describes the demonic subject of his chilling masterpiece Dracula, a truly iconic and unsettling tale of vampirism.