40 salles de bain à idées : petits budgets, maxi effets
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Mémoires secrets d’un valet de coeur
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Crimes, Belle Époque, médailles miraculeuses et travestis : une équation gagnante. Paris, 1910. La ravissante Dédée, née André vingt ans plus tôt, officie dans le très huppé et fort discret hôtel Sélignac, claque pour messieurs qui apprécient les travestis. Tout roule pour ces « dames », à l'abri des violences du monde extérieur grâce à des protections en haut lieu, jusqu'au jour où l'on découvre l'une d'elles la gorge tranchée, émasculée. Seul indice : une médaille miraculeuse plantée dans son corps. Incarnation froufroutante de la Parisienne, Dédée, qui se morfond dans son écrin de velours rouge, saute sur l'occasion. Grâce au manuel du professeur Lacassagne et à la lecture assidue de revues spécialisées, elle a quelques notions de police scientifique, assez pour se lancer dans l'investigation ! Mais la tâche se complique quand d'autres meurtres sont commis en divers lieux de la ville, selon le même mode opératoire sanglant et fétichiste. Que ferait-elle sans le soutien du docteur Féclas, un remarquable médecin légiste, magicien à ses heures perdues, amant de Nijinski et ami de Marcel Proust ?Six décennies plus tard, Dédée a quatre-vingt-deux ans, elle écoute Sardou et se souvient de sa belle époque. Dans ces mémoires, le récit de ses exploits d'enquêteur se double de l'évocation savoureuse d'un monde révolu : une touche de Grand-Guignol, beaucoup de gouaille et un brin de nostalgie.
About the Author
Née en 1956 à Cannes, Brigitte Aubert a développé son goût pour le polar dans la pénombre du cinéma familial. Parmi ses nombreux romans publiés au Seuil et traduits dans plus de vingt pays, on retiendra Les Quatre Fils du Dr March, La Mort des bois (Grand Prix de littérature policière 1996), Transfixions (adapté au cinéma sous le titre Mauvais Genres), Funérarium... Elle est la reine du thriller à humour grinçant.
Crimes, Belle Époque, médailles miraculeuses et travestis : une équation gagnante. Paris, 1910. La ravissante Dédée, née André vingt ans plus tôt, officie dans le très huppé et fort discret hôtel Sélignac, claque pour messieurs qui apprécient les travestis. Tout roule pour ces « dames », à l'abri des violences du monde extérieur grâce à des protections en haut lieu, jusqu'au jour où l'on découvre l'une d'elles la gorge tranchée, émasculée. Seul indice : une médaille miraculeuse plantée dans son corps. Incarnation froufroutante de la Parisienne, Dédée, qui se morfond dans son écrin de velours rouge, saute sur l'occasion. Grâce au manuel du professeur Lacassagne et à la lecture assidue de revues spécialisées, elle a quelques notions de police scientifique, assez pour se lancer dans l'investigation ! Mais la tâche se complique quand d'autres meurtres sont commis en divers lieux de la ville, selon le même mode opératoire sanglant et fétichiste. Que ferait-elle sans le soutien du docteur Féclas, un remarquable médecin légiste, magicien à ses heures perdues, amant de Nijinski et ami de Marcel Proust ?Six décennies plus tard, Dédée a quatre-vingt-deux ans, elle écoute Sardou et se souvient de sa belle époque. Dans ces mémoires, le récit de ses exploits d'enquêteur se double de l'évocation savoureuse d'un monde révolu : une touche de Grand-Guignol, beaucoup de gouaille et un brin de nostalgie.
About the Author
Née en 1956 à Cannes, Brigitte Aubert a développé son goût pour le polar dans la pénombre du cinéma familial. Parmi ses nombreux romans publiés au Seuil et traduits dans plus de vingt pays, on retiendra Les Quatre Fils du Dr March, La Mort des bois (Grand Prix de littérature policière 1996), Transfixions (adapté au cinéma sous le titre Mauvais Genres), Funérarium... Elle est la reine du thriller à humour grinçant.
30 espaces à idées : petits budgets, maxi effets
S'inventer une frise en miroirs, réaliser une crédence dans du verre armé, écrire sur les murs, créer des pochoirs sur des tabourets ou customiser des meubles avec de vieux journaux... À travers 30 reportages spécialement créatifs de Marie Claire Maison, faites le plein d'idées déco et inventez-vous la maison qui vous ressemble sans vous ruiner.
Flowers for Miss Pengelly
The mysterious appearance of an unidentified man leads to difficult questions – and romance . . .
Cornwall, 1911. Young lady’s maid Effie Pengelly is confused and alarmed when charming Constable Alexander Dawes questions her about an unidentified, now deceased man who came to the town asking for her whereabouts. As the weeks go by, Constable Dawes seeks out any excuse to talk to Miss Pengelly, but he knows his family would never allow them to marry. When the investigation into the dead man finally reveals a clue, could this lead Alex and Effie towards the future they deserve?
Cornwall, 1911. Young lady’s maid Effie Pengelly is confused and alarmed when charming Constable Alexander Dawes questions her about an unidentified, now deceased man who came to the town asking for her whereabouts. As the weeks go by, Constable Dawes seeks out any excuse to talk to Miss Pengelly, but he knows his family would never allow them to marry. When the investigation into the dead man finally reveals a clue, could this lead Alex and Effie towards the future they deserve?
The King’s Spies
A Sir Geoffrey Mappestone mystery. March 1102
March 1102, and Robert de Belleme, the Black Earl of Shrewsbury, is summoned to appear before King Henry's Easter Court, to answer for siding with the King's older brother, the Duke of Normandy, in an attempt to steal the King's throne.
Meanwhile, in the crowded and dangerous streets of Southwark, south of the river Thames, Crusader Knights Sir Geoffrey Mappestone and the hearty Sir Roger of Durham witness a man murdered by hanging from the window of the Crusader's Arms Inn. But this is not just any man, he is the illegitimate nephew of Robert de Belleme, and had apparently been holding a meeting with two mysterious men. In fact, it turns out the inn has been used for many meetings of the earl's spies, and there are plans afoot to obtain a terrible weapon to use against the King, one that the Crusader Knights remember with a terrible fear from the Siege of Jerusalem Greek Fire.
Solving the murder is only the first step in uncovering the plot against the King.
March 1102, and Robert de Belleme, the Black Earl of Shrewsbury, is summoned to appear before King Henry's Easter Court, to answer for siding with the King's older brother, the Duke of Normandy, in an attempt to steal the King's throne.
Meanwhile, in the crowded and dangerous streets of Southwark, south of the river Thames, Crusader Knights Sir Geoffrey Mappestone and the hearty Sir Roger of Durham witness a man murdered by hanging from the window of the Crusader's Arms Inn. But this is not just any man, he is the illegitimate nephew of Robert de Belleme, and had apparently been holding a meeting with two mysterious men. In fact, it turns out the inn has been used for many meetings of the earl's spies, and there are plans afoot to obtain a terrible weapon to use against the King, one that the Crusader Knights remember with a terrible fear from the Siege of Jerusalem Greek Fire.
Solving the murder is only the first step in uncovering the plot against the King.
Final Act
Lambert & Hook discover that interrogating professional actors is an impossible business in the latest intriguing mystery.
Sam Jackson is not a man who suffers fools – or anyone else – gladly. A successful British television producer who fancies himself as a Hollywood mogul, he makes enemies easily, and delights in the fact.
It is no great surprise that such a man should meet a violent death. Detective Chief Superintendent Lambert and Detective Sergeant Hook deduce that the person who killed him is almost certainly to be found among the company of actors who are shooting a series of detective mysteries in rural Herefordshire. But these are people who make a living by acting out other people’s fictions, people more at home with make-believe than real life – and the two detectives find interrogating them a difficult business. How can Lambert and Hook fight their way to the truth when faced with a cast of practised deceivers?
Sam Jackson is not a man who suffers fools – or anyone else – gladly. A successful British television producer who fancies himself as a Hollywood mogul, he makes enemies easily, and delights in the fact.
It is no great surprise that such a man should meet a violent death. Detective Chief Superintendent Lambert and Detective Sergeant Hook deduce that the person who killed him is almost certainly to be found among the company of actors who are shooting a series of detective mysteries in rural Herefordshire. But these are people who make a living by acting out other people’s fictions, people more at home with make-believe than real life – and the two detectives find interrogating them a difficult business. How can Lambert and Hook fight their way to the truth when faced with a cast of practised deceivers?
Done to Death
TV presenting proves dangerous, when Ada and her partner Lil become involved in a new antiques show and get sucked into a morass of lies, secrets and murder . . .
Barry Stromstein has a serious problem. If he can’t come up with a concept for a new TV antiques show asap, his terrifying boss – TV sensation Lenore Parks – will fire him, and his perfect life will be over. But when he talks to antiques columnist Lil Campbell, he unexpectedly hits pay dirt. Her partner, Ada Strauss, not only suggests the perfect hook for the show, but is the perfect woman to host it.
Ada’s elated, but production of The Final Reckoning seems blighted before it’s even begun when, shockingly, Leonore dies. But Barry seems strangely determined to continue, and as Lenore’s children – the unsettling Rachel and her beloved older brother Richard – become involved, the pilot episode becomes increasingly ghoulish in tone.
Ada’s enjoying herself – really, she is – but as she and Lil are drawn deeper into the lives and affairs of the Parks, they begin to suspect that there are dark, twisted secrets at the heart of the family, and very real danger for them all . . .
Barry Stromstein has a serious problem. If he can’t come up with a concept for a new TV antiques show asap, his terrifying boss – TV sensation Lenore Parks – will fire him, and his perfect life will be over. But when he talks to antiques columnist Lil Campbell, he unexpectedly hits pay dirt. Her partner, Ada Strauss, not only suggests the perfect hook for the show, but is the perfect woman to host it.
Ada’s elated, but production of The Final Reckoning seems blighted before it’s even begun when, shockingly, Leonore dies. But Barry seems strangely determined to continue, and as Lenore’s children – the unsettling Rachel and her beloved older brother Richard – become involved, the pilot episode becomes increasingly ghoulish in tone.
Ada’s enjoying herself – really, she is – but as she and Lil are drawn deeper into the lives and affairs of the Parks, they begin to suspect that there are dark, twisted secrets at the heart of the family, and very real danger for them all . . .