Gone World
2.400,00 د.ج
The Silence of the Lambs meets Interstellar. The terrifying, thrilling and ingenious science-fiction thriller from Tom Sweterlitsch. Film rights bought by Twentieth Century Fox with Neil Blomkamp ( District 9 , Elysium ) to direct. ‘Thrilling . . . [a] dark, page-turning thriller’ The Guardian A murdered family. A missing girl. Time is running out… 1997. Shannon Moss of the Naval Criminal Investigative Service is assigned to solve the murder of a Navy SEAL’s family – and to locate the soldier’s missing teenage daughter. When Moss discovers that the SEAL was an astronaut aboard the spaceship U.S.S. Libra – a ship assumed lost to the darkest currents of Deep Time – she comes to believe that the SEAL’s experience with the future is somehow related to this violence. Determined to find the missing girl and driven by a troubling connection to her own past, Moss must travel forward in time to seek evidence that will uncover the truth. To her horror, the future reveals that it’s not only the fate of a family that hinges on her work; for what she witnesses is the Terminus: the terrifying and cataclysmic end of humanity itself. ‘Edge-of-your-seat crime fiction that bends both time and mind. Think True Detective meets 12 Monkeys . Throw in the end of the world and you can begin to imagine where this gut-twisting tale will take you. This is cross-genre fiction at its best’ Sylvain Neuvel, author of Sleeping Giants
The Silence of the Lambs meets Interstellar. The terrifying, thrilling and ingenious science-fiction thriller from Tom Sweterlitsch. Film rights bought by Twentieth Century Fox with Neil Blomkamp ( District 9 , Elysium ) to direct. ‘Thrilling . . . [a] dark, page-turning thriller’ The Guardian A murdered family. A missing girl. Time is running out… 1997. Shannon Moss of the Naval Criminal Investigative Service is assigned to solve the murder of a Navy SEAL’s family – and to locate the soldier’s missing teenage daughter. When Moss discovers that the SEAL was an astronaut aboard the spaceship U.S.S. Libra – a ship assumed lost to the darkest currents of Deep Time – she comes to believe that the SEAL’s experience with the future is somehow related to this violence. Determined to find the missing girl and driven by a troubling connection to her own past, Moss must travel forward in time to seek evidence that will uncover the truth. To her horror, the future reveals that it’s not only the fate of a family that hinges on her work; for what she witnesses is the Terminus: the terrifying and cataclysmic end of humanity itself. ‘Edge-of-your-seat crime fiction that bends both time and mind. Think True Detective meets 12 Monkeys . Throw in the end of the world and you can begin to imagine where this gut-twisting tale will take you. This is cross-genre fiction at its best’ Sylvain Neuvel, author of Sleeping Giants
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The night after a shooting star is seen streaking through the sky from Mars, a cylinder is discovered on Horsell Common in London. At first, naïve locals approach the cylinder armed just with a white flag - only to be quickly killed by an all-destroying heat-ray, as terrifying tentacled invaders emerge. Soon the whole of human civilisation is under threat, as powerful Martians build gigantic killing machines, destroy all in their path with black gas and burning rays, and feast on the warm blood of trapped, still-living human prey. The forces of the Earth, however, may prove harder to beat than they at first appear. The War of the Worlds has been the subject of countless adaptations, including an Orson Welles radio drama which caused mass panic when it was broadcast, with listeners confusing it for a news broadcast heralding alien invasion; a musical version by Jeff Wayne; and, most recently, Steven Spielberg's 2005 film version, starring Tom Cruise.
This Penguin Classics edition includes a full biographical essay on Wells, a further reading list and detailed notes. The introduction, by Brian Aldiss, considers the novel's view of religion and society.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Authority (The Southern Reach Trilogy, Book 2)
‘Creepy and fascinating’ Stephen King.
The Southern Reach is a government agency so secret it has almost been forgotten.
Following the disastrous twelfth expedition chronicled in ‘Annihilation’, the second book of the Southern Reach trilogy introduces John Rodriguez, the new head of the government agency responsible for the safeguarding of Area X. His first day is spent grappling with the fall-out from the last expedition. Area X itself remains a mystery. But, as instructed by a higher authority known only as The Voice, the self-styled Control must battle to ‘put his house in order’.
From a series of interrogations, a cache of hidden notes and hours of profoundly troubling video footage, the mysteries of Area X begin to reveal themselves―and what they expose pushes Control to confront disturbing truths about both himself and the agency he’s promised to serve.
Undermined and under pressure to make sense of everything, Rodriguez retreats into his past in a labyrinthine search for answers. Yet the more he uncovers, the more he risks, for the secrets of the Southern Reach are more sinister than anyone could have known.
In The Afterlight
They are armed only with a volatile secret: proof of a government conspiracy to cover up the real cause of IAAN, the disease that has killed most of America's children and left Ruby and others like her with powers the government will kill to keep contained. But internal strife may destroy their only chance to free the "rehabilitation camps" housing thousands of other Psi kids.
Meanwhile, reunited with Liam, the boy she would-and did-sacrifice everything for to keep alive, Ruby must face the painful repercussions of having tampered with his memories of her. She turns to Cole, his older brother, to provide the intense training she knows she will need to take down Gray and the government. But Cole has demons of his own, and one fatal mistake may be the spark that sets the world on fire.
The Time Machine
When a Victorian scientist propels himself into the year a.d. 802,701, he is initially delighted to find that suffering has been replaced by beauty, contentment, and peace. Entranced at first by the Eloi, an elfin species descended from man, he soon realizes that these beautiful people are simply remnants of a once-great culture—now weak and childishly afraid of the dark. They have every reason to be afraid: in deep tunnels beneath their paradise lurks another race descended from humanity—the sinister Morlocks. And when the scientist’s time machine vanishes, it becomes clear he must search these tunnels if he is ever to return to his own era.
This edition includes a newly established text, a full biographical essay on Wells, a list of further reading, and detailed notes. Marina Warner’s introduction considers Wells’s development of the “scientific romance” and places the novel in the context of its time.
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Is this the end?
What happens when you ask a bunch of losers, discipline cases and misfits to save the galaxy from an ancient evil? The ancient evil wins, of course.
Wait . . . Not. So. Fast.
When we last saw Squad 312, they were working together seamlessly (aka, freaking out) as an intergalactic battle raged and an ancient superweapon threatened to obliterate Earth. Everything went horribly wrong, naturally.
But as it turns out, not all endings are endings, and the team has one last chance to rewrite theirs. Maybe two. It’s complicated.
Cue Zila, Fin and Scarlett (and Magellan!) making friends, making enemies and making history? Sure, no problem.
Cue Tyler, Kal and Auri joining forces with two of the galaxy’s most hated villains? Um, okay, yeah. That too.
Actually saving the galaxy, though?