The Butterfly’s Burden
4.600,00 د.ج
Mahmoud Darwish (1942-2008) was the poetic voice of the Palestinian people. One of the most acclaimed contemporary poets in the Arab world, he was also a prominent spokesman for human rights who has spent most of his life in exile. In his early work, the features of his beloved land – its flowers and birds, towns and waters – were an integral part of poems witnessing a string of political and humanitarian tragedies afflicting his people. In his most recent books, his writing stands at the border of earth and sky, reality and myth, poetry and prose. Returning to Palestine in 1996, he settled in Ramallah, where he surprised his huge following in the Arab world by writing a book of love, The Stranger’s Bed (1998), singing of love as a private exile, not about exile as a public love. A State of Siege (2002) was his response to the second Intifada, his testament not only to human suffering but to art under duress, art in transmutation. The 47 short lyrics of Don’t Apologise for What You’ve Done (2003) form a transfiguring incarnation or incantation of the poet after the carnage. The Butterfly’s Burden is a translation of these three recent books, and was awarded the Saif Ghobash-Banipal Prize for Arabic Literary Translation in 2008. Mahmoud Darwish died in Houston, Texas, in August 2008 from complications following heart surgery. Palestinian President Mahmoud Abbas immediately declared three days of national mourning to honour the great Arab writer. Winner of the Saif Ghobash-Banipal Prize for Arabic Literary Translation. Bilingual Arabic-English edition
Mahmoud Darwish (1942-2008) was the poetic voice of the Palestinian people. One of the most acclaimed contemporary poets in the Arab world, he was also a prominent spokesman for human rights who has spent most of his life in exile. In his early work, the features of his beloved land – its flowers and birds, towns and waters – were an integral part of poems witnessing a string of political and humanitarian tragedies afflicting his people. In his most recent books, his writing stands at the border of earth and sky, reality and myth, poetry and prose. Returning to Palestine in 1996, he settled in Ramallah, where he surprised his huge following in the Arab world by writing a book of love, The Stranger’s Bed (1998), singing of love as a private exile, not about exile as a public love. A State of Siege (2002) was his response to the second Intifada, his testament not only to human suffering but to art under duress, art in transmutation. The 47 short lyrics of Don’t Apologise for What You’ve Done (2003) form a transfiguring incarnation or incantation of the poet after the carnage. The Butterfly’s Burden is a translation of these three recent books, and was awarded the Saif Ghobash-Banipal Prize for Arabic Literary Translation in 2008. Mahmoud Darwish died in Houston, Texas, in August 2008 from complications following heart surgery. Palestinian President Mahmoud Abbas immediately declared three days of national mourning to honour the great Arab writer. Winner of the Saif Ghobash-Banipal Prize for Arabic Literary Translation. Bilingual Arabic-English edition
| Editeur |
|---|
Produits similaires
Crush
“One of the best books of contemporary poetry.”—Victoria Chang, Huffington Post
“Vital, immediate, and cinematic in scope.”—Library Journal (Best Poetry of 2005)
Selected by Nobel Prize laureate and competition judge Louise Glück as the 2004 winner of the Yale Younger Poets prize, Richard Siken’s Crush is a powerful collection of poems driven by obsession and love. Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking.
In her introduction to the book, Glück hails the “cumulative, driving, apocalyptic power, [and] purgatorial recklessness” of Siken’s poems. She notes, “Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form.”
Home Body
i dive into the well of my body
and end up in another world
everything i need
already exists in me
there’s no need
to look anywhere else
– home
Love Is a Dog from Hell
A book that captures the Dirty Old Man of American letters at his fiercest and most vulnerable, on a subject that hits home with all of us. Charles Bukowski was a man of intense emotions, someone an editor once called a “passionate madman.” Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love—its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance, and redemptive power.
"there is a loneliness in this world so great
that you can see it in the slow movement of
the hands of a clock."
Rifqa
Sparks of Phoenix
As the phoenix emerges from its ashes, Zebian emerges ablaze in these pages, not only as a survivor of abuse, but as a teacher and healer for all those who have struggled to understand, reclaim, and rise above a history of pain.
The book is divided into six chapters, and six stages of healing: Falling, Burning to Ashes, Sparks of Phoenix, Rising, Soaring, and finally, A New Chapter, which demonstrates a healthy response to new love as the result of authentic healing.
With her characteristic vulnerability, courage, and softness, Zebian seeks to empower those who have been made to feel ashamed, silenced, or afraid; she urges them, through gentle advice and personal revelation, to raise their voices, rise up, and soar.
The Poet X – WINNER OF THE CILIP CARNEGIE MEDAL 2019
Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.
But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about.
With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems.
Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.
Violet Bent Backwards Over the Grass
THE HIGHLY ANTICIPATED DEBUT BOOK OF POETRY FROM LANA DEL REY, VIOLET BENT BACKWARDS OVER THE GRASS
'Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic. Lana Del Rey
Lana’s breathtaking first book solidifies her further as 'the essential writer of her times' (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum and many more. This beautiful hardcover edition showcases Lana’s typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator.
Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award-winning musician Jack Antonoff.